| |
|
 |
|
French Caricature and the
French Revolution 1789 - 1799
|
| |
Grunwald Center for the
Graphic Arts
University of California, Los Angeles
During the 1790s political caricature, whether
funny or vicious, was constantly exploited by the various factions
pitted against each other. All kinds of prints could be purchased
at printshops ...
1988, 280 pgs., Over 300 color & b/w illus.
|
|
Click these logos to search for this book on:
|
|
 |
|
Censorship of Political Caricature
in Nineteenth-Century France
|
| |
by Robert Justin Goldstein
A comprehensive account of the struggle over freedom
of caricature in France during the period between 1815 and 1914
... Although prior censorship of the printed word in France was
abolished in 1822, censorship of caricature was enforced almost
continuously until 1881 ...
1989, 293 pgs., 127 b/w illus.
|
|
Click these logos to search for this book on:
|
Grandville: Das Gesamte Werk
Volumes 1 and 2
Introduction by Sello Gottfried
 
This complete catalogue of works reproduces
over 1,600 lithographs and engravings by J.J. Grandville
(Jean-Ignace-Isidore Grard) one of the great French caricaturists
and book illustrators of the 19th century. Included are
caricatures from La Caricature, Le Charivari and Le
Magasin Pittoresque as well as illustrations from Un
autre Monde, Scènes de la Vie Privée et publique
des Animaux, Les Fleurs animées and many more.
|
1969, Volume 1: 800 pgs, Volume 2: 832
pgs, 1,600 b/w illus.,
Click the logos to search for these books on:

|
|
 |
|
Caricature and French
Political Culture 1830 - 1848:
Charles Philipon and the Illustrated Press
|
| |
by David Kerr
Philipon was the founder of the satirical illustrated
press in France. With the newspapers he owned and directed La
Caricature and Le Charivari, he led an unprecedentedly
coherent and vitriolic campaign of disrespect against King Louis-Philippe
and his regime.
2000, 242 pgs., 56 b/w illus.
|
|
Click these logos to search for this book on:
|
|
 |
|
Censorship and the control of print
in England and France 1600 - 1910
|
| |
by Robin Myers and Michael
Harris
In this collection of essays, leading scholars
investigate the interaction between authors, publishers, booksellers,
readers and regulatory bodies in England and France across three
centuries, and show the key role that the book trade — resisting
or adapting to external pressures — has played in defining
what is permissible to publish.
1992, 154 pgs,, 7 b/w illus.
|
|
Click these logos to search for this book on:
|
|
 |
|
A Human Comedy:
Physiognomy and Caricature
in 19th Century Paris
|
| |
by Judith Wechsler
This book is about the Parisians' characteristic
preoccupation with physical clues to class, profession, character
and circumstances, especially in the period 1830 to 1870, and
how these are reflected in caricature, mime, and literature.
1998, 208 pgs., 161 b/w illus.
|
|
Click these logos to search for this book on:
|
|
 |
|
The Court of Flora
Les Fleurs Animées
The Engraved Illustrations of
J.J. Grandville
|
| |
Introduction by Peter A.
Wick
The Court of Flora (Les Fleurs Animées)
was the last of Grandville's illustrated books, published posthumously
the year of the artist's death in 1847 ... The 52 color plates
in this volume reproduce the original steel engravings of Grandville's
illustrations.
1981, 123 pgs., 52 color illus.
|
|
Click these logos to search for this book on:

|
|
 |
|
The Art of the July Monarchy:
France 1830-1848
|
| |
Museum of Art and Archeology,
University of Missouri-Columbia
In the years between 1830 and 1848, the period
known as the July Monarchy, French art underwent the major transformation
from romanticism to realism ... chapters considering history
painting, landscape painting, portraiture, caricature, book illustration,
and the advent of realism.
1990, 313 pgs., 273 color & b/w illus.
|
|
Click these logos to search for this book on:
|
|
|
|
The Pear:
French Graphic Arts
in the Golden Age
of Caricature
by Elise K. Kenney
& John M. Merriman
Mount Holyoke College
The lithographs of La Caricature,
as well as those of L'Association Mensuelle — founded
to rally support for a free press and to earn money to
defend Le Charivari during its various trials — could
be detached from the newspaper and framed. Politics joined
connoisseurship. Louis Philippe's sizable jowls gave his
head a pear shape that, combined with his ponderous trunk,
provided an irresistable target for caricaturists.
|
1991, 120 pgs
82 b/w illus.
Click thes logos
to search for
this book on:

|
|
The Charged Image
French Lithographic
Caricature
1816 - 1848
by Beatrice Farwell
Santa Barbara
Museum of Art

The exhibition surveys the work of thirteen
artists from the period 1816 - 1848 including not only
the familiar names of Daumier and Gavarni but also lesser
known masters of the caricature genre, some of whom had
a formative influence on the great genius, Daumier ...
with the appearance of the first numbers of La Caricature in
1830, a new era of caricature as a powerful weapon began,
with a handful of artists and a bold publisher arrayed
against a king and his government ...
|
1989, 188 pgs
211 color & b/w illus.
Click thes logos
to search for
this book on:

|
|
Public and Private
Lives of Animals
Illustrated by
J.J. Grandville

1977 English Edition
(first published
in France in 1842)
312 pgs, b/w illus.
Click the logos
to search for
this book on:


|
|