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Charles Philipon
La Caricature, 1830-1835
Lithographies complètes
An Illustrated Catalogue Raisonné of the Lithographs
Alan Wofsky
Fine Arts
San Francisco, CA |
La Caricature was the 19th Century equivalent and the precursor of Charlie Hebdo. The editor Charles Philipon employed the major satirical artists of the mid-19th Century notably Daumier, Grandville, E. Forest, Charlet, Bellangé , Traviès, Raffet and Gavarni. It appeared for five years, between 1830-1835.
The main subjects of the caricatures were Louis-Philippe and his entourage of July Monarchy politicians.
2017, 536 pgs, approximately 500, color & b/w illus.
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VIVE LES SATIRISTES!
French Caricature During the Reign of Louis Philippe
1830 - 1848
Josephine Lea Iselin
The Grolier Club
New York City
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A fascinating overview of the Golden Age of social and political satire in 19th-century France, focusing on the role of controversial and wildly popular journals such as La Caricature and Le Charivari, and the great illustrators - Daumier, Grandville, and others.
2017, 136 pgs., 84 color & b/w illus.
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French Caricature and the
French Revolution 1789 - 1799
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Grunwald Center for the
Graphic Arts
University of California, Los Angeles
During the 1790s political caricature, whether
funny or vicious, was constantly exploited by the various factions
pitted against each other. All kinds of prints could be purchased
at printshops ...
1988, 280 pgs., Over 300 color & b/w illus.
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Grandville: Das Gesamte Werk
Volumes 1 and 2
Introduction by Sello Gottfried
This complete catalogue of works reproduces
over 1,600 lithographs and engravings by J.J. Grandville
(Jean-Ignace-Isidore Grard) one of the great French caricaturists
and book illustrators of the 19th century. Included are
caricatures from La Caricature, Le Charivari and Le
Magasin Pittoresque as well as illustrations from Un
autre Monde, Scènes de la Vie Privée et publique
des Animaux, Les Fleurs animées and many more.
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1969, Volume 1: 800 pgs, Volume 2: 832
pgs, 1,600 b/w illus.,
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Caricature and French
Political Culture 1830 - 1848:
Charles Philipon and the Illustrated Press
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by David Kerr
Philipon was the founder of the satirical illustrated
press in France. With the newspapers he owned and directed La
Caricature and Le Charivari, he led an unprecedentedly
coherent and vitriolic campaign of disrespect against King Louis-Philippe
and his regime.
2000, 242 pgs., 56 b/w illus.
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Censorship and the control of print in England and France 1600 - 1910
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by Robin Myers and Michael
Harris
In this collection of essays, leading scholars
investigate the interaction between authors, publishers, booksellers,
readers and regulatory bodies in England and France across three
centuries, and show the key role that the book trade — resisting
or adapting to external pressures — has played in defining
what is permissible to publish.
1992, 154 pgs,, 7 b/w illus.
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A Human Comedy:
Physiognomy and Caricature
in 19th Century Paris
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by Judith Wechsler
This book is about the Parisians' characteristic
preoccupation with physical clues to class, profession, character
and circumstances, especially in the period 1830 to 1870, and
how these are reflected in caricature, mime, and literature.
1998, 208 pgs., 161 b/w illus.
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The Court of Flora
Les Fleurs Animées
The Engraved Illustrations of
J.J. Grandville
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Introduction by Peter A.
Wick
The Court of Flora (Les Fleurs Animées)
was the last of Grandville's illustrated books, published posthumously
the year of the artist's death in 1847 ... The 52 color plates
in this volume reproduce the original steel engravings of Grandville's
illustrations.
1981, 123 pgs., 52 color illus.
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The Art of the July Monarchy:
France 1830-1848
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Museum of Art and Archeology,
University of Missouri-Columbia
In the years between 1830 and 1848, the period
known as the July Monarchy, French art underwent the major transformation
from romanticism to realism ... chapters considering history
painting, landscape painting, portraiture, caricature, book illustration,
and the advent of realism.
1990, 313 pgs., 273 color & b/w illus.
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Censorship of Political Caricature
in Nineteenth-Century France
by Robert Justin Goldstein
A comprehensive account of the struggle over freedom
of caricature in France during the period between 1815 and 1914
... Although prior censorship of the printed word in France was
abolished in 1822, censorship of caricature was enforced almost
continuously until 1881 ... |
1989, 293 pgs., 127 b/w illus.
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The Pear:
French Graphic Arts
in the Golden Age
of Caricature
by Elise K. Kenney
& John M. Merriman
Mount Holyoke College
The lithographs of La Caricature,
as well as those of L'Association Mensuelle — founded
to rally support for a free press and to earn money to
defend Le Charivari during its various trials — could
be detached from the newspaper and framed. Politics joined
connoisseurship. Louis Philippe's sizable jowls gave his
head a pear shape that, combined with his ponderous trunk,
provided an irresistable target for caricaturists.
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1991, 120 pgs
82 b/w illus.
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The Charged Image
French Lithographic
Caricature
1816 - 1848
by Beatrice Farwell
Santa Barbara
Museum of Art
The exhibition surveys the work of thirteen
artists from the period 1816 - 1848 including not only
the familiar names of Daumier and Gavarni but also lesser
known masters of the caricature genre, some of whom had
a formative influence on the great genius, Daumier ...
with the appearance of the first numbers of La Caricature in
1830, a new era of caricature as a powerful weapon began,
with a handful of artists and a bold publisher arrayed
against a king and his government ...
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1989, 188 pgs
211 color & b/w illus.
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Public and Private
Lives of Animals
Illustrated by
J.J. Grandville
1977 English Edition
(first published
in France in 1842)
312 pgs, b/w illus.
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