|
|
|
|
Hogarth to Cruikshank:
Social Change in Graphic Satire
|
|
by Mary Dorothy George
The subject of this book is graphic social satire
before the days of Punch and illustrated journalism,
when prints were engraved and sold seperately ... When in the
1750s the word 'caricatura' or 'caricature' came into use, the
print shops applied it indiscriminately to any print with a comic
or satirical intention. M. Dorothy George's study covers the
art from 1720 to about 1830 ...
1967, 224 pgs.
Over 200 color & b/w illus.
|
Click these logos to search for this book on:
|
|
|
|
The Duke of Wellington
and His Political Career
After Waterloo
|
|
by Edward Du Cann
Written by a former leading politician and based
upon his own collection of Wellington caricatures ... the book
deals with caricature as a reflection of popular opinion ...
2000, 144 pgs., 110 color ullus.
|
Click these logos to search for this book on:
|
|
|
|
The Duke of Wellington
in Caricature
|
|
by John Physick
The Victoria & Albert Museum possesses a large
number of 18th and 19th century caricatures, and this Picture
Book contains a selection of those satirising Arthur, 1st Duke
of Wellington, K.G.
1965, 96 pgs, 44 b/w illus.
|
Click these logos to search for this book on:
|
|
|
|
Punch: The Lively Youth
of a British Institution
|
|
by Richard D. Altick
This book is the first to explore the first ten
years of Punch, the popular Victorian periodical, especially
as it mirrored the interests and mind-set of its predominantly
middle-class audience ... Altick describes Punch's humorous
treatment of events, public personalities, and current issues — frivolous
or serious — against a background of historical evidence
culled from the London Times and other contemporary
documents.
1997, 776 pgs, over 170 b/w illus.
|
Click this logo to search for this book on:
|
Caricature History of the Georges
or, Annals of the House of Hanover Compiled
from the Squibs, Broadsides, Window Pictures,
Lampoons and Pictorial Caricatures of the Time
by Thomas Wright
From the Preface:
The Work now laid before the public is
necessarily by a sketch; only the more prominent points
of the history of a hundred years are seized upon, and
put forward in relief. The plan adopted has been to use
caricatures and satires in the same manner that other historical
illustrations are commonly used, by extracting from them
the point, or at least a point, which bears more particularly
or directly on the subject under consideration.
|
1867, 639 pgs, Bindings will vary
Hand-colored Frontispiece
and over 400 b/w steel and wood engravings after
Hogarth, Gillray, Rowlandson, Sayer, and others.
Click the logos to search for this book on:
|
George Cruikshank's Life, Times, and
Art
Volumes 1 and 2
by Robert L. Patten
A popular artist in the propaganda war
against Napoleon, an ardent campaigner for Reform and Temperence,
and the foremost illustrator of such classics as Grimms' Fairy
Tales, Scott's novels, and Dickens's Oliver Twist,
is known for his versatility, imagination, humor, and incisive
images. His long life, marked by a ceaseless struggle to
win recognition for his art, intersected with the lives
of many of Britain's important political, social, and cultural
leaders.
|
Volume 1 (1792-1835): 1992, 495 pgs, 81 b/w illus.
Click the logos to search for Volume One on:
Volume 2 (1835-1878): 1996, 657 pgs, 81 b/w illus.
Click the logos to search for Volume Two on:
|
|
|
|
English Caricature
1620 to the Present: Caricaturists
and Satirists, their Art, their Purpose
and Influence
|
|
by Richard Godfrey
This exhibition, the most comprehensive to be
attempted in America, is a survey of English caricatures and
satires from the grim anti-Catholic prints of the seventeenth
century to the irreverent cartoons of today.
1984, 144 pgs, over 200 color & b/w illus.
|
Click these logos to search for this book on:
|
|
|
|
George du Maurier
|
|
by Leonée Ormond
A critical biography of Du Maurier, the Victorian
cartoonist and novelist. It traces his career, from a penurious
and rootless childhood through to final success as the aurhor
of a best-seller, Trilby ... a section of the book is
devoted to a study of the social world of Du Maurier's Punch cartoons.
1969, 515 pgs, 160 color & b/w illus.
|
Click these logos to search for this book on:
|
|
|
The Age of Caricature:
Satirical Prints
in the Reign
of George III
by Diana Donald
Applies current perspectives on the 18th
century to the changing roles of women and construction
of gender, the alleged rise of a consumer society, the
growth of political awarness outside aristrocratic circles
and the problem of defining 'class' values ...
|
Yale University Press
1996, 248 pgs.
210 color & b/w illus.
Click these logos
to search for
this book on:
|
The
Caricatures of
George Cruikshank
by John Wardroper
Focusing on the Georgian period ... beginning
with his first published work at the age of 13 in the year
of Trafalgar (1805) and concluding in 1834, three years
before Victoria ascended to the throne.
|
1977, 144 pgs
Over 120
color & b/w illus.
Click these logos
to search for
this book on:
|
Censorship
and the
control of print
in England
and France
1600 - 1910
by Robin Myers
and Michael Harris
In this collection of essays, leading
scholars investigate the interaction between authors, publishers,
booksellers, readers and regulatory bodies in England and
France across three centuries, and show the key role that
the book trade — resisting or adapting to external
pressures — has played in defining what is permissible
to publish.
|
1992, 154 pgs,
7 b/w illus.
Click the logos
to search for
this book on:
|
The
Mahogany Tree
An Informal
History of Punch
by Arthur Prager
Prager traces the beginnings of Punch from
its creation in 1841 as a paper dedicated to "undying
opposition to debtors' prisons, capital punishment, and
other abuses" through its merciless depiction of kings
and kaisers, the lower classes and the upper echelons ...
and Americans.
|
1979, 306 pgs
over 100 b/w illus.
Click the logos
to search for
this book on:
|
|