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By the late 1500s, painting and sculpture represented the
human form based a set of classical proportions. Artists began to experiment
with distortion to enhance the mood or meaning of their work. They worked
with theorists and scientists, illustrating formal studies on the relationship
of external appearances and character.
One artist during this period, Annibale Caracci, created caricatures
that were among the first to use exaggeration as a means of portraying
the personality of a subject. He has been credited as the inventor of
the term caricatura, from the Latin caricare, which means
"to load or charge." In 1646 caricatura first appeared
in print as part of a preface written by the house master to Pope Urban
VII. Two years later it appeared in a text written by the sculptor and
architect, Gianlorenzo Bernini.
To be continued ...
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